This can let you “shoot through” things like chain link fences, foliage, or reflective glass to reveal the subject in the background.Īs you learn aperture and depth of field, be careful not to fall into some of the most common pitfalls for beginners. If you want to see all the details in that impressive scene in front of you, you want to use a narrower aperture like f/11 or f/16.ĭepth of field works both ways - you can use a wide aperture to blur the foreground just like you can the background. Wide apertures are great for blurring out distractions in the background, drawing more attention to the subject, and creating those out-of-focus points of light called bokeh.Ī narrow aperture, large f-number, leaves more of the details intact and creates a deep depth of field. With the widest apertures, objects even an eighth of an inch from the subject can be out of focus. At f/1.8, for example, the subject’s eyes may be in focus, but their nose will be soft. The difference between the two is aperture.Ī wide aperture, small f-number, means only a small portion of the image is in focus, in what is called a shallow depth of field. You’ve probably seen portraits with very blurred backgrounds and you’ve probably seen landscapes where most of the image is sharp. Aperture and depth of fieldĭepth of field is a photography term that simply refers to how much of the image is in focus, from foreground to background. That means in aperture priority mode, you probably won’t see your image getting brighter or darker as you change the f-number.īut wait, why use aperture priority mode at all if the camera is still making the exposure decisions for you? Aperture controls more than just the exposure of the image - it also adjusts depth of field. The range of available numbers will vary based on the lens model, so if you reach a point where the camera won’t change the aperture any more, you’ve reached the beginning or end of that range.Īperture priority mode is a semi-automatic - your camera is still choosing the best exposure for the image by controlling shutter speed (and, optionally, ISO). As you turn that dial, you should be able to see the f-numbers changing in the viewfinder or on the LCD screen. On some cameras or lenses, the aperture is adjusted via a dedicated ring around the lens, but most modern cameras put aperture control on the camera body itself, usually in the form of a command dial. Aperture priority mode is an easy way to learn how aperture affects images - once you understand aperture priority (and its counterpart, shutter speed priority), manual mode won’t seem so daunting. (It is possible to take the ISO off auto if you want). This mode, designated on most camera mode dials as A or Av, allows you to control just the aperture, while the shutter speed and ISO can remain on auto. While you need to also understand ISO and shutter speed in order to control exposure in manual mode, you can dip your toes in slowly by starting with aperture priority mode. How do you change the aperture on your camera? That means f/2.8 is four times darker than f/1.4, although all you really need to know is the number of stops: If you open the aperture by 2 stops, you’ll need to change the shutter speed or ISO by two stops to compensate. This shows that f/2.8 is half as bright as f/2, which itself is half as bright as f/1.4. Modern cameras allow you to make adjustments in 1/3-stop increments (oh no, more fractions!) so that you have fine control over the exposure. Decrease it by a stop, and you’ve cut the amount of light in half. As with shutter speed and ISO, aperture controls exposure in the unit of “stops.” Increase the size of the aperture by 1 stop, and you’ve doubled the amount of light coming through the lens. Some lenses may open as wide as f/1.4, or stop down to f/22 and beyond. Of course, there are more aperture settings than just f/2.8 and f/16. (F-numbers are actually the denominator of a fraction, so the math isn’t as backwards as it seems.) Just remember that f-numbers are opposite of what you’d expect: a low number means wide, and a higher means narrow. A larger f-number, like f/16, is a narrow aperture. A small f-number, like f/2.8, is a wide aperture. Fitbit Versa 3Īpertures are measured in f-numbers, or f-stops, which is where the concept can start to get a bit more confusing.
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