Leave any areas untouched that you’d like the ink to settle into. Pour out a bit of tempera into a lid or small container and start to paint with tempera. (The tempera will act as a resist and protect those sections from the ink that you’ll brush on later.) These are the areas you’ll eventually paint with watercolors, so you’ll be adding tempera to them in the next step. Once you have your sketch done, decide which areas in the painting you want to protect from the India ink. (I use 140lb Arches hot or cold pressed paper since it stands up well to the scrubbing needed to rub off the India ink.) Then sketch your composition with pencil. Cheaper brushes should work just fine, or use some older brushes that you don’t care about.īegin by taping or stapling down a good-quality watercolor paper on your board. NOTE: You will not want to use your good brushes for either the ink or the tempera paint or your brushes will be ruined. Combine those mediums with watercolors, and you can easily create a splendid finished work of art like the one below. You’ll need some gouache or tempera paint (which is water soluble) plus India ink (which is waterproof). Today I want to share a fun painting technique that works well with watercolors and-actually-almost any other media! There are computer programs (image texturizers) that take posterized art and assign a pattern to the tonal value of the lines or areas of the image.By Alice Sawicki in Art Tutorials > Painting Tutorials It's fun and a few people still do it now. You can touch up mistakes with Graphic White. The more you remove of the top layer, the darker the composition becomes. Dragging the rake at a cross angle produces the cross-hatching effect that resembles engraving. Some look like rakes with different thickness of the tines to get parallel lines as you drag it over the surface of the scratchboard. Various scratchboard tools are available that look like pen points that fit into pen holders. The light layer on the top allows you to sketch your composition before actually starting to remove the overbearing. Professional scratchboard has two layers and removing the top thin white layer reveals the stark contrast of the jet-black layer underneath. Various types of lines give various effects.Using various tools scrape off the ink to reveal the brightly covered wax underneath.Add a drop of detergent so the ink will stick to the thick wax layer without cracking. After the paper is covered without any gaps, cover the whole page with india ink.We used crayons in various saturated colours. Cover the paper with a thick layer of wax.Start with a sheet of heavy bond paper.Use Scratchboard to get the engraved effect you show. How can I learn shading this way? Are there any guidelines? Could you recommend any resources to learn from? Or maybe you could instruct me on how to learn this in an answer? I like the softness of shade gradation in Durer's autoportrait. The others show a lot of white - especially the Santa example has blazing white cheeks and nose right next to pretty dark shades. The thing that I like about the Durer example is that it has light tones that arent pure white. A less awesome example of how I would like to draw is this: I would like to ask for answers focusing on the drawing with ink aspect and ignorign the engraving thing - I have a quill dip pen and i want to learn how to hatch to get the threedimensionality and awesomeshade gradation that Durer's pieces have (ignoring how he made them). While someone corrected me in the comments, and told me the work I posted as an example of what I want to achieve is an engraving, it is still doable with a pen and ink - it's all black lines, and black lines are what pens do really well. What are the guidelines for learning and using ink for portraits and similar art? Are there any good resources on the topic? Where should I be looking for them? Not very useful, when I tried to apply it to a portrait. The youtube videos I watched on hatching with ink were all about shading spheres and boxes, small ones I might add. I cant really find any useful info on how to do that. I would love to achieve effects similar to what Durer did, for example like this: I love what some people can do with it, both modern comicbook artists and old masters. Recently I have been trying to learn some new media, and ink is one of them.
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